Відео

This video is fabulous for developing bass accompaniment, soloing, or just getting it under your fingers. Much appreciated!

Are you using acoustic or electric strings? Beautiful tone.

Thanks for more amazing content! #Subscribed

Hey 🙂 I like relaxing vibe of the neo soul and energy and melody of gypsy jazz, but this more abstract style of jazz.. I like sound of maj,min 6,9 chords, they are much more interesting.. comment from a rock/blues player 😁 any album recommendations for listening?

I love the open sound of chords. Get a nice major sound w 3rd in bass on 6th string, 5th on on 3rd strng, root on 2nd strng. Very open. Got me guitar tuned in p4 so your nice fingerings are applicable top to bottom. Many thnks!

Excellent thanks. In my topsy turvey way I found this lesson - and it so happens to fit very nicely with the "Making the Changes Series" which I am systematically working through... provides an essential framework (and over the same song) to bring harmony and the progression together. Magic thanks.

Wow,very pretty

Great series indeed!

This is from a great album: Julie is her name. The whole album is full of incredibly creative and inspiring comping and soloing by Barney Kessel. I´ve studied lots of the song on that album: this one and Gone with the Wind are my favorites. Can´t help lovin´that man of mine is also really great. Barney always adds colour and has a dialogue with the melody. Very musical...Thanks for showing how he comps in this tune.

Suweeeet!

One of my favourite examples of jazz guitar comping right here! Link to the PDF in the description.

Beautiful! Thanks for reminding me it’s Wednesday!!

I really enjoyed this minor swing lesson, it's probably the first time that this piece has been explained so well, it's very concise and it is not rushed (which often leaves one wondering what was played?) Thankyou Andy 🙏🏻

It is good that you spand some time to play along with the virtual student. Thank you!

I think I've solved it. In my head, I'm hearing the first 4 chords as all 3-note chords and I'm play the C7 on the 8th fret so there's a mellow progression of melody notes Bb, C, D and E. Then back to the 1st fret for FM7 and the melody notes of C, D, E and Eb (Abm7). Just sounds sweeter to my ear. If I play the first two chords as 4-note chords as shown, my melody notes become D, E, D and Bb (C7 on the 2nd fret). Maybe I just have an odd ear but playing all the chords in the first two bars as 3-note chords just sounds sweeter to me. That's what was throwing me off. It sounded like somehow you were playing the G on the 8th fret on the Bb6 and the melody notes were D, E, G and Bb. All good though. This is fun.

Loved this… subscribed :)

More than a slight challenge. You have set out the steps very clearly with good overlap chasing where we have come from. Overwhelming - er yes! But a good clear path as to where to go and why. As with the last lesson - each bit is simple enough but the whole is a decent mouthful to get my head around. Great thanks.

Productive way to move beyond exercises - but within a defined framework for tired brains. The build up to this point - while no doubt simple for many - has me scrambling if I hold hard to the test of knowing what I'm doing. Straining to hear accurately "what comes next" is the test for me. These close resolves are great for testing that. Excellent thanks.

Another great explanation - and across all those chords. Playing off the third is a great generic skill to be picking up here as well. This all builds very neatly and logically. Yet more stuff I thought I knew but had not really, seriously taken apart - but the pieces on the PDF really help force me to do that (no bad thing). Many thanks.

Formidable, gran leccion. Muchas gracias maestro,

Great stuff, Andy. After spending some dedicated time on all these MTC lessons, I finally understand, after 6 years, what playing over chord changes means. And what's really an great is that you can do it with the chords themselves or especially, arpeggios in so many different ways. It's really an eye opener for me. Really ties everything together for me. Fantastic stuff. Between these and the HA vids, I feel like I've got a really solid music foundation in place for the first time since picking up the guitar 6 years ago. Well done. Thanks.

Excellent thanks. Obvious but "who knew" (if I thought I'd know, but often I don't think and find I'm "stuck" !!).

Yes this a great next step

more of that!+++++

Great lesson, thanks Andy!

Here's part 6 of my series on outline chord changes. In this lesson I cover the idea of using a cell against each chord. This is good ear training, fretboard knowledge practice and you can use it navigate 'difficult' changes. Let me know if you have any questions.

My love of the Charlie Christian pickup came from watching Tim Lerch.

👏👏👏👏👏 thanks!

I like to sub the Abm7 for the D7b9 at the end of bar 4. Just an easier move for me from Am7 and also sounds a tiny bit more melancholy. Just a personal preference. Both sound good.

great analysis thank you

Because it sounds like to me the top notes on the 1st 4 chords in bar 1 and 2 are D, E, G and Bb. But when I play it, I can't duplicate your sound.?????

This will sound strange. At 1:02 in the second bar, your fingering and the chord chart looks like you're playing a 3 note chord Bb6 with D in the top. BUT....my ear hears the G on the 8th fret in the top. I've tried to duplicate your fingering but when I play the Bb6....but it sounds very different than what you are playing. Is my ear playing tricks on me?

Very nice this is what I am looking for! Thanks what is your contact info?

I luv these HA's. So much to learn and absorb. Thanks.

Thank you! <3

Great song and my jazz quintet used to play this song with our female singer many years ago, one of her best sounding songs as well. Anyways, quite an Em walkdown you got going on there, that'll be nice to include in my new chart. Many thanks for the pdf and ideas, they'll be going to good use! 😊🎼🎸🎵🏆❤

Dbm6 is the same as Bbm7b5, which leads on to Ab. Bbm7b5 over Eb7 is an Eb11th. Both it in beautifully.

Very nice, Andy.

Danke sehr cool ❤

What string model you use ? So warm

That was really nice! Love your solo arrangements!

I think Andy’s playing and teaching are right at the top of everything available. But don’t feel the tone if this pickup is impressive for jazz or country. .. just my ears.

Great lesson! Thank you very much Andy!

Put a set of Lollar Special T's in a Purple Pete CV50 and WOW!! Then experimented with other pups....blah....then just dropped in a set of Nocasters today....Lollar territory for sure. Love 'em! Put the Lollars in a budget HB TE62DB that now sounds like a million bucks...as did the CV50 with them. Lollar has more output...nice depth/breadth too. Can't go wrong with either pup set.

You can get the tab and notation for this over on my Patreon page on the supporter tier 🎸

Andy this is lovely!

Really lovely!!

OMG!! Thank you so much for this one!

My favorite version (the one I know) is by sam Cooke.

Julie’s version was featured in The Girl Can’t Help it. rock movie she is great